在一个纽约顶楼的飙升fused With Art Deco Charm
Purchasing a home in a brand-new high-rise has all of the benefits you might expect: Everything in pristine and untouched condition, first-rate amenities, and the chance to customize the space to your liking. But for a certain type of buyer, it has one drawback—every unit in the building has pretty much the same features and finishes as the others.
So when you want your home to feel truly unique, as one discerning client did after purchasing an expansive top-floor unit in a new-construction tower in New York City, you have to peel back the developer-provided layers and prepare to rebuild. “He wanted to make sure that everything was top of the line,” interior designerAlexander Dohertysays of his client, who gamely proposed to “rip everything up and start from scratch,” as the creative recalls.
For the New York– and Paris–based designer, this brief provided the ultimate opportunity to sculpt a refined, warm interior out of a contemporary glass box—an undertaking that took a great deal of architectural finessing. First, the team that included architectDanielle Albertand contractorStephen Fanukareworked the layout by knocking out two of the unit’s four bedrooms and one of its bathrooms, making way for an extended living space and library. To increase the living room’s height, they removed all the ductwork and pushed it out to the sides of the room. This allowed them to create a lake-like depression in the ceiling, covered in gold leaf, that both enlarges the space and adds a striking glimmer. A non-working fireplace was put in to provide a visual focal point. “Then it’s not just sitting on the sofa looking at the views,” Doherty says.
To further shake off the developer feeling, Doherty added custom paneling to every surface of the home in order to create an interior shell more akin to the prewar apartments he normally works on. Crown molding and carefully crafted millwork give historical weight to the residence, as redoing the walls, floors, and ceilings served as a way for the designer to introduce the most premium materials he could get his hands on. Along with the living room’s cerused oak paneling, the apartment boasts surfaces covered in Venetian plaster, high-gloss lacquer, gold leaf, palladium, Italian marble, velvet, and mosaic tile. In one standout moment, a vestibule connecting the bedrooms to the rest of the apartment is clad in black straw marquetry. The entire space was handcrafted byJallu Ébénistesin France and shipped to the U.S., where it was assembled by the artisans on site.
As for the furnishings, Doherty wanted to channel a specific style that wouldn’t feel out of place in a contemporary structure. “The only historical style that I could really see working in a glass tower that was built yesterday in New York is something that harks back to 20th-century modernism—anything ranging from the 1920s almost to 1950s,” he says. The client wasn’t especially familiar with this period, but he remained open-minded, and the designer set about acquiring Art Deco and modernist pieces from Paris galleries and international auction houses. A set with a sofa, two armchairs, and a table byAndré Arbuswas selected for the primary bedroom, while other French designers of the same period—such asJules LeleuandJacques Adnet—are also represented.Gio Pontimirrors, suspended by chains so as not to cut into the custom walls, are scattered throughout the residence.
Key upholstered pieces were made byJonasto provide a dose of modern-day comfort. “Not-precious” fabrics and large-scale rugs bring warmth, Doherty explains, ensuring that the apartment—despite its period theme—doesn’t feel like a museum. “The idea of having a sectional [sofa] immediately takes away that stiff formality,” he says. To that end, the homeowner, passionate about engineering, was keen on getting all the mechanicals just right. “A quiet AC system, windows that really close so you don’t hear the howl of the wind… The client was on board for better and better and better,” Doherty says.
After three years of work, the behind-the-scenes and the front-of-house ultimately merged to form a dwelling that’s a far cry from a typical spec home. “I was so fortunate in working with this client,” Doherty says. “He’s the only person I’ve ever met who said to me, ‘If during the process you get a better idea, do it. I am on board.’”
-
1/11The apartment’s front hallway was stripped down and rebuilt with venetian plaster walls and a white gold leaf ceiling.Artgroove负责这些和其他高端结束es in the apartment. At the end of the corridor, a black straw marquetry corridor was custom made byJallu Ébénistesin France.
-
2/11Designer Alexander Doherty looked to modernist and Art Deco designs from the 1920s through 1950s to furnish the apartment, which is located in a new high-rise in Manhattan. “You have to respect the architecture of the building,” he says. “Otherwise you’re going to end up with something that looks like Disneyland.” In the library that doubles as an office, a pair ofMaison Jansenchairs form a seating area with a sofa byJonas, a 1930s coffee table byDominique, andAndré Arbusottomans. AJules Leleuchair pulls up to a desk byMarc du Plantier. Hanging from the ceiling—which features a tobacco-colored venetian plaster surface with a double 24-carat gold band around the edge—is aFontanaArtependant.
-
Photo: Marius Chira3/11The design team extended the height of the ceiling by moving the ductwork to the sides of the room and creating a lake-like depression, lit up by 24-carat gold leaf, in the middle. Cerused oak paneling created byCharles Cimmino Woodworkcovers the walls. A non-working fireplace made byChesneyssits underneath what looks to be a mirror, but is actually a television bySéura. Sofas and an armchair made byJonas是大使ned withde Le Cuonapillows and joined by aJacques Adnetcoffee table andSüe et Mareottomans on top of a 1930s French rug.
-
4/11In a bathroom off the library, Guatemala Verde marble with a Belgian Black stone band backdrops a custom shower and a vanity, which was made byWaterworksin antique walnut with brass detailing. The mirror is byGio Ponti, and the sconces are a French vintage design from the 1930s.
-
5/11Christopher Peacockdesigned the kitchen cabinetry, which features lower cabinets in walnut and upper cabinets in high-gloss paint surrounding aLa Cornuerange. Three Murano glass pendants from the 1940s hang overhead.
-
6/11The walls of the primary bedroom are upholstered in aHolland & Sherryfabric. The headboard is a custom silk velvet design. A silk rug byStarkadds to the soft gray-and-lilac palette. Over the 1930s French chaise hangs a Swedish light fixture from the 1950s. The bedside tables—French rosewood designs from the ’30s—sit below artworks by Esteban Vicente and James Brooks.
-
7/11A wall previously blocked the view from the sinks, so the design team cut out as much of the wall as possible, leaving two columns behind for structural support. Now, two Murano mirrors by Venini stationed above a custom vanity fitted withWaterworksfixtures don’t get in the way of the jaw-dropping vistas. Statuary marble is used throughout. “We got it from Italy. As you can imagine by the size of the bathroom, it did require an awful lot [of stone],” Doherty says.
-
8/11In order to apply the same marble to the shower and steam room, Doherty says, “We had to do a special honeycomb version of it to make it much lighter and attach it to the ceiling.” The sconce is by Jules Leleu.
-
9/11In the guest bedroom, Doherty had wall panels made in a crushed velvet byde Le Cuona. The headboard, a design byNY Custom FurnishingsusingHolland & Sherryfabric, carries through the Art Deco theme. The mirror is byGio Ponti.
-
10/11Wrapped in black Venetian plaster with a black Portoro marble feature wall, the powder room features a special niche displaying a bronze statue byKelli Bedrossian. The mirror is byAndré Arbus, and the sconce is aJules Leleudesign. A faucet fromWaterworks’ R.W. Atlas linepairs with a sink cut out of marble.
-
11/11Mosaic tile fromWaterworksdecorates the guest bathroom. “That vanity was absolutely the only thing that we kept out of the whole apartment that the developer provided,” Doherty says. They added a marble countertop, a Waterworks medicine cabinet, and French sconces from the 1930s.
