设计师的房间
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce1/7缬草Rybar让Daigre
在巴黎rue du Bac的核心,让设计师缬草Rybar和弗朗索瓦Daigre合作Daigre的小镇的房子,在路易十六馆(见金博宝188app网址,1989年10月)。尽可能多的设置设计师修饰符(他们编排精心制作的球和方),Rybar Daigre烧毁的内政和改变了空间,创造一个亲密17 th-century-inspired餐厅和卧室,唤起一个罗马战争帐篷。但这是最壮观的华丽的沙龙。“曲面镜停止反射在房间的四个角落集中columnlike建筑结构中的所有行,“Daigre说。频繁的优雅的聚会他在城里的时候,沙龙是反映地脚线从天花板上下来,更好的反映这样的对象作为early-imperial罗马破产,一个摄政giltwood镜子和路易十五大理石壁炉。Rybar Daigre设计蒲团覆盖着灰色的缎手绘与孔雀石和覆盖了giltwood路易十五把椅子在柔软的皮革手套。“镜像”沙龙,Daigre说,“是我的幻想。”
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce2/7安吉洛Donghia
安吉洛Donghia是著名的为他的对细节的关注。设置设计师出身的导演乔舒马赫记得他为“无情的完美主义者,每个圣诞节,让我重做圣诞树的灯光在他四五次。”At his Lake Hill Farm in western Connecticut (see金博宝188app网址1986年4月),动力和决心出现了新的转折。Donghia拆除42英亩网站上的都铎式风格住宅和重新开始,创造一个舒适的乡间别墅,他标志性的当代艺术品与古董。客人客厅典型房子的感觉:大规模软垫家具和只从Donghia墙面涂料,washed-pine线脚和门楣等细节基座表从中心柱雕刻艺术画廊的一只熊。“我一直对美敏感,即使是一个小男孩在军费,Pennsylvania-a小厂镇”Donghia说。说他长期的安Sonet联系起来,“安吉洛生活和工作的方式是完全无所畏惧。他不断地尝试在homes-he用它们作为一种设计实验室”。
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce3/7瓦尔·阿诺德
美学和形式固然重要,但他们的价格,”设计师瓦尔·阿诺德所观察到的。“把Versailles-it不是生活,它是显示。”But, he added, "real simplicity can be equally demanding. In the traditional Japanese house, where each object is ritualized, life is absolutely formal. Simplicity does not necessarily equal casual space." In the master bedroom of his home in Hollywood (see金博宝188app网址山坡上,1985年10月),1920年代住宅一旦由埃罗尔·弗林,阿诺德强调魅力以及舒适,与格纹面料,深绿色的墙和白色的口音,包括一个花瓶和一个从Donghia烛台。“安慰我的心灵是尽可能多的视觉生理决定,”他说。“如果你给我一个漂亮的椅子,我欣赏美学然后我会坐下来。如果没有坐好,不好看了。”The former Stephan Valentino Anastasoff, who once worked as a dance instructor for Arthur Murray, lived in San Francisco for some 20 years before relocating to Los Angeles. "Everything I've absorbed from my past and learned from my present works best for me in this house," he said.
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce4/7迈克尔·泰勒
在旧金山的家中/办公室/工作室(见金博宝188app网址,1977年12月),迈克尔·泰勒利用的元素为他带来了名气,加州的创造者。设置在要塞附近的悬崖上,满屋子都是对象他收集的30年。摄政块坐在舒适与罗马躯干;拜占庭马赛克jean - michel弗兰克表是正确的在家里。“我经常改变周围,许多继续为我设计的人,”他说。“我认为自己是一个托管人,胜过一切。这是我设计的实验室,如果你愿意,我可以学习的地方和组合形式和影响。”But what he once referred to as his "feeling for naturalism" was especially apparent in his downstairs office, which featured massive tables with stone bases, oversize chairs, Mexican cactus poles and an 18th-century grain thresher. "Although I like painted furniture, and use it a great deal, I prefer most woods in their natural or near-natural state," he wrote. "My approach is to combine everything suitable that gives a room the feeling of freshness, originality, and a more beautiful atmosphere for living."
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce5/7史蒂夫·蔡斯
在为自己创建一个家庭牧场海市蜃楼,加州(见金博宝188app网址,1984年8月),史蒂夫大通选择纹理,可以直接从他们的沙漠环境被解除。路易斯巴拉和弗兰克·劳埃德·赖特的回声明显整个房子,追逐与建筑师理查德·霍顿和威廉·卡尔·约翰逊。“我想住在附近的山脉和沙漠徒步在过去的20年里,”他解释道。“我的新房子必须要求,计划和接近紧缩的风景。”In emphasizing open space, Chase built a "house without compromises," he said. "If I'm by myself, I can experience all of the house, visually. I don't have to look at a lot of doors." From the redwood-strip ceiling to the stuccoed walls and aggregate floors, the living room is a play of earth tones. A metal sculpture by Michael Todd rests atop the onyx table, and paintings by, from left, Ronald Davis and Laddie John Dill hang on the walls. "I think it's important to substantiate your design," Chase said. "I don't like to do things that are just for looks. If a room is gorgeous but not comfortable, I consider it a failure."
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce6/7Kalef Alaton
虽然我是远非一个极简主义者,我发现越少越好,”Kalef Alaton曾经观察到。和客房的复式住宅设计在曼哈顿为自己和他的员工(见金博宝188app网址,1986年5月),他证明了不仅是更好的,它可以是非常迷人的。Alaton独特的低调典雅,标志着一个苍白的丝绸装饰织物从j .罗伯特·斯科特,创建了一个还在城市的中间。设计师马约莉书珊城回忆道,他曾与Alaton公寓,住在那里,“Kalef的工作是纯粹的魔法。美丽,豪华和宜居,卧室说。它就像一个美妙的,安静的,隐蔽的茧。”Alaton once said that he was inspired by everything in his environment. "I might combine an old piece with something very modern, but I won't know how it will look until the pieces are placed together," noted the designer. "The concept of combining styles is similar to acquiring friends," he added. "It's nice to have young friends and old friends, each unique. In the same way, I can design on both sides of the spectrum and achieve a satisfactory result."
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摄影通过Durston塞勒,罗素macmaster Jaime Ardiles-Arce彼得•Vitale玛丽·e·尼科尔斯,贝托缺阵吉利·,Jaime Ardiles-Arce7/7Jay幽灵
在第五大道(见自己的公寓金博宝188app网址,1984年3月),杰伊幽灵构思他所说的“一个典型的20世纪的设计重点是东方的东西。我爱东方和东方艺术的原因是活了下来,因为他们代表了一种文化,繁荣,身后,消失了。有一个永恒的质量。”Indeed, Asian accents are found throughout the space, set against a backdrop of handwoven Chinese raw silk and bleached oak with brushed-stainless-steel details. The best view in the apartment may well be from the living room, where a window seat, upholstered in leather from Clarence House, looks over Central Park and beyond to the Upper West Side. Among the pieces are a Jean Arp sculpture, a Tiffany's box, lamps by Diego Giacometti and an Art Déco-inspired chair by Spectre. "In design, it is important to have a point of view," he explained. "And a point of view is derived from a sense of style. Style, in turn, comes from an awareness of the world around us." He added, "I wanted to do something that would take me where I had never been."
