房子看起来相当典型,至少从外面。位于Quogue——“最近在纽约的汉普顿,”主人点——瓦风格建成的,它无垠的太空,优雅,大胆,就像这样在长岛住宅做了一个多世纪的伦敦东区。其动作车顶和塔似乎从童话,它很好地符合方言。
但当涉及到室内设计,最好留下任何先入为主的想法在前门。里面,周末12000平方英尺的住宅既没有喜爱,摇摇欲坠的古董瓦风格回家还是海绵质量空白并也往往能够描述新系统。它具有相反,特殊和独特地分钱Drue Baird的联系。
“这是一个挑战,让这些房屋热身,并不太大,”贝尔德解释说,除了装修房子,在其内部结构。118高手论坛(架构师是大卫DiGiovanni)。加入这个项目当建筑被陷害让她重新配置它的一些空间,包括餐厅和主卧室,删除墙。
而设计师著称致力于法国巴黎taste-she保持公寓(见金博宝188app网址,2006年9月),和她的新书名为把巴黎回家她实际上在各种风格的作品。“无论人们问我做什么,我做什么,”她说。“我真的有每一个的外观和风格。”
她描述她的设计为“点头,20世纪初的美丽。”In the amply proportioned, double-height entrance hall, some arresting pieces from the 1930s are on display, from a curvy French iron-and-glass chandelier to a futuristic-looking console that seems to sprout, artistically, out of one wall. Baird, who has "sources as far away as Capri," she says, found the latter piece in Florence; like so many in this residence, it exerts an influence disproportionate to its size.
“每个房间都有一个特征,标志着它,”她指出。“这不仅仅是一个白色的盒子。”Nor is this imposing space, which she grounded in multiple ways, using paneling that looks as if it had been lifted from a Shingle Style prototype and a surprisingly warm-toned limestone floor (from France) that, most certainly, does not.
Baird想象的室内两部分。一边,包括客厅,结合图书馆和酒吧,和主卧室,更正式。更随意,其他方面包括餐厅和家庭房间。在二楼,有一个客房,两个翅膀的夫妇的孩子和他们的家庭。
“我希望我们的房子光线和空气的清新,”妻子回忆说。Baird回应的调色板,而苍白的入口大厅,似乎在每个后续加强指数的房间。她战术家的颜色,将它部署“给每个房间一些真正的个性,分离从隔壁。”Even so, she wields it with caution: "I'm careful to leave some areas white" (in this case, both the entrance hall and the curvilinear, multiwindowed solarium beyond it, which dazzles with light).