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Jerrelle人实现梦想,她本食谱the Dream Kitchen

TheBlack Girl Bakingauthor always wanted a KitchenAid stand mixer . . . but when she got one, she realized she might have been missing the point all along
A silver KitchenAid stand mixer on a black wood countertop.
For Jerrelle Guy, author ofBlack Girl Baking,#kitchengoals always meant a KitchenAid stand mixer.

As a little girl, I always dreamed of owning my own KitchenAid stand mixer. I swore that it would be the marker of my success—the moment I officially made it out of what I considered the kitchen “slums,” a place where mostly sallow, prepackaged dinners reigned—and into the land where all the rich housewives with no worries and no lack lived. My mind painted a vivid picture of my dream kitchen down to the beams of natural light spilling into the open space, the moldings on the floating cabinets with their wide faces, and a couple of lazy Susans on either corner of the kitchen, just because. There my gleaming appliance would stand, tall and polished amongst a score of marble, creaming, without end, softened butter and cups of sugar into wispy paste. My machine would exist to make my life effortlessly magical.

And there I’d be floating between counter and calendar, checking for when my next guest would arrive to sample from my stockpile of freshly baked goodies: dense pound cakes, caramel pretzel pies, soft snickerdoodles, and blood-red velvet sheet cakes topped with waves of cream cheese frosting wielded with one of those gangly spatulas that have the awkward bend. I would bake a sea of sugar around me—a perfect dream for the chunky-cheeked girl I was. I could go on, but for your sake (plus word-count limits), let’s just say it looked a lot like my face and body plastered onto a kitchen spread ripped from the pages of an金博宝188app网址magazine—here’s looking at you,AD.

Growing up in Florida, I’d sit wide-eyed at the edge of my bed and take in hours of Food Network episodes:Barefoot Contessa,Tyler’s Ultimate,Nigella Feasts,and even some of my least favorite shows like30 Minute MealsandSemi-Homemade with Sandra Lee,ones that felt practical, rushed, and dared to address frugality (the concept I came to escape). I took what I could get. I’d get lost in the elaborate displays, the fresh cuts of meat that fed four of my fathers, the vibrant spices and raw herbs, and of course the soothing voices of the hosts who never turned me away. There was always more than enough. It felt necessary to leave my kitchen for theirs as often as possible lest I be swallowed by the realities of my own.

My grandmother Big Ma’s kitchen felt less like #kitchengoals and more #smallworkinggarage—cloaked with cheerless beiges and browns, a single square window pulling in light from one corner, leaving the other half of the room in darkness. Nothing bright or ornamental. Things exist because they function. There’s an oil stain here and there, a wooden countertop stretching along the wall with hordes of obscure things sitting elbow to elbow. But the dinners that came out of that space were like quilts stitched from piecemeal fabric, lengthened to provide.

My Big Ma was brilliant and resourceful, every day turning a little into a lot. I remember being so impressed: “Big Ma the Scientist” rescuing the morning’s breakfast by using her baking powder trick to swell the scrambled eggs, resultantly feeding four extra kids. How I’d cringe watching Ina Garten on-screen, transferring her finished batters into her baking dishes without scraping every last bit over—always leaving ¼ cup of whatever it was at the bottom of her bowl to the birds. It was that contrast between our worlds and her negligence that annoyed and confused me; it was like loud static interrupting the broadcast and frying the display. Every time, without fail, that’s when I’d snap right out of my kitchen euphoria. But I always returned.

And when I couldn’t stay glued to the television because of school or work or life, I always found pockets of time to re-create bits of that fantasy in my day to day— collecting jars of artisan jam; melting chocolate and cream over stacked double boilers; slow-pouring that same luscious ganache over cooled cakes the way I watched them do it; choosing uncut loaves of bread over the presliced bread so that I could slice them thick myself before soaking them in cinnamon egg batters; collecting gadgets and porcelain bowls over the years and buying small wheels of stinky cheeses (and the box graters to shred them) using the last of all my paychecks.

Black Girl Baking: Wholesome Recipes Inspired by a Soulful Upbringing,Jerrelle Guy's first cookbook, is available now through Page Street Publishing.

Fast forward 14 years later and I finally have the KitchenAid stand mixer I prayed for. It came maybe 11 months ago. I cried (some) when it arrived at the door. The UPS deliverer jokingly offered to take the bear of a box off my hands after seeing my face, which must’ve looked disappointed and something like: “Did I get too lit Wednesday and sign into my Prime again?” But no, that wasn’t it. This time it was my mother.

She had shipped me the six-quart silver mixer with three attachments included. She wanted me to have my own—a gift for signing the contract for my first baking book. Up until that point I had lived on borrowing these machines, in mock kitchens and at my boyfriend’s family gatherings. On studio sets, for recipe developing, I would call for a stand mixer in the instructions so that when I got there it’d be waiting for me, and for those first few minutes hovering over it I’d feel like one of the chefs I grew up idolizing. Of course I never told a soul on the production team that it was only my second or third time in front of one of those bad boys, and I was clueless on how to lock both bowl and paddle into place.

My mom's note that accompanied the mixer read, “I thought it would help with all the baking and testing you’ll be doing now.” And the irony wasn’t lost on me that it arrived after I’d already gone through years of hand-kneading yeasted cinnamon rolls and more years of carefully folding egg whites into sponge cake batters with that flat, plastic rice-cooker spoon I stole from the old house in Florida when I moved away for school. Maybe this fancy machine wasn’t the maker of my success like I thought. After all, I’d gotten myself pretty far without it.

我有农舍厨房水槽吗?还没有。做I have a matching set of gas-burning copper stoves? Check back in 15 years. Does my kitchen look out over a vast herb garden planted along the coast of Cape Cod? To come. Do I have a wall-length pullout pantry? I think I’ve outgrown this vision anyway. But I do have my imagination and a certain amount of contrast from my beginnings that will make the journey to this dream kitchen all the more sweet when it’s mine. I learned quickly after acquiring my glorified mixer that the journey to success is the success itself, and if you’re waiting for some sweet solitary moment to define it, you may be disappointed to learn that you’re missing the point.