The Grand Tour

This Manhattan Apartment Used to Look Like the Inside of a Spaceship

Then designer Jessie Schuster made the place one part boho, two parts chic
modern living room with white sofa cowhide rug black leather chairs and potted tree
Photo: Joshua McHugh

DesignerJessie Schusterknew she’d found “the one”—that elusive decorating inspiration point—when she laid eyes on a pink marble Angelo Mangiarotti coffee table on a trip to Amsterdam. “I bought the table and designed my whole apartment around it,” she says. But when it arrived ten weeks later, the shipperdropped the table off the crate, shattering the item that was set to play the starring role in the design of her Manhattan home into a million pieces.

Decorating is often about improvising, as many designers know, and as Jessie’s bohemian-meets-French-modern apartment came to prove. For the designer, whose recent credits include the equally boho-chicBroken Coconutrestaurant in Noho, the mishap meant shifting her focus back to the features of the apartment that drew her in to begin with: its modern lines, sleek white walls, and floor-to-ceiling windows that open up over the Hudson River.

“野生”architecture, as Jessie describes it, felt like the inside of a spaceship when she moved in, and was the perfect blank slate to layer on the French antiques and stash of art and tchotchkes she’d accumulated throughout her years as a designer. “I wanted to bring a crucible and a nonmodern aesthetic to the apartment to counterbalance the architecture,” she says. Here’s how she pulled it off, nailing just the right mix of high and low, eclectic and refined.

Mixing old and new

It may sound like sacrilege to turn a spare room in a small New York City apartment into anything other than a home office or guest quarters, but Jessie really wanted a media room. (She had decided immediately upon moving in that she did not want a TV distracting from the views in her living room.) There, she layered a vintage Turkish rug with a mirrored cloud-shaped table, and anchored the cozy space with a leather sectional that she’d held onto since college. “I couldn’t part with it,” she says. “The more beat-up it gets, the better it is.”

Photo: Joshua McHugh

She took the same old-meets-new approach in her dining area, where she put two Murano glass lamps that her grandmother gifted her on display. The midcentury console table they sit atop is also a remnant from Jessie’s college days and a nod to the warm wood bookshelf on the adjacent living room wall.

Photo: Joshua McHugh

Forgoing the “finished” look

Smoothing out the stark edges of a modern apartment like this one took some finesse. It also took an expert eye to create a bohemian vibe that didn’t feel too frumpy. One of Jessie’s go-to tricks for keeping it all balanced: leaning artwork against the walls instead of mounting it. It “has a tendency to make a space that feels very done, a little less done,” she says.

Photo: Joshua McHugh

She also resisted the urge to “finish” the windows with traditional treatments. “I didn’t want to put in drapery because it didn’t lend itself to that style, the modern architecture,” she says. Instead, Jessie warmed up the space with textured elements and some much-needed hits of color—check out the sofa and pillow fabrics, and the skirting around her dining room table.

Photo: Joshua McHugh

Thinking like a maximalist

可以说,没有什么更现代的(冷)than a sparsely decorated room. Jessie took on her Empty White Box challenge with gusto, starting where she says all design projects should: The rugs. “In general, rugs always set the tone,” says Jessie. “No matter what you have, the intention is set by what’s on the ground.” The foundation of the living/dining rooms is a black sisal, while an 18'x20' hemp rug made of vintage Turkish carpets is the backdrop in the media room. (Jessie found that rug dealer on Etsy.)

Photo: Joshua McHugh

From there, she layered with abandon (#moreismore), placing cowhides over her base rugs, and doubling up on nightstands in her bedroom, with a glass console on top of an iron table on one side and a French chest paired with a second iron table on the other.

Photo: Joshua McHugh