每个人都记得的居里夫人就是蓬巴杜和温莎公爵夫人的交易。也没有短缺,罗马人对空姐谱号障碍船长的行业。但年轻的毫无戒心的农妇和一个征服的薄嘴画的心二百万英亩和个人专制的计数池的300000农奴吗?
尼古拉圣彼得堡据说第一次看见Praskovia Kovalyova当她领先一头牛从牧场。你是否选择相信可疑的浪漫,毫无疑问,他完全沉醉在她的法术。释放后他未来的新娘她挤奶女工的围裙,圣彼得堡解锁她真正的人才作为一个歌剧和芭蕾舞演员。1792年他在莫斯科的奥斯坦金诺破土动工,粉红色和白色的新古典主义戏剧/宫,担任Kovalyova眼花缭乱地华丽的展示和表现杰出的农奴的200名成员的剧团。当然,电影院是私有的。参加Pashkevich歌剧或在奥斯坦金诺Piccinni芭蕾舞,你必须是一个客人的计数。
直到她终于抓住了机会拍摄宫去年冬天,Deborah Turbeville-who成年在70年代把薄的时尚的照片不满wallflowers-had开始认为奥斯坦金诺“离他而去。”Her keen interest in sparsely furnished interiors in a melancholy state of transition or decay made the place a natural subject for her, but it had always remained just out of reach. Turbeville first heard about the palace from Jacqueline Kennedy Onassis, the editor of her book Unseen Versailles, a collection of brooding photographs of the château's private chambers and storerooms.
“哦,黛博拉,”Turbeville回忆奥纳西斯太太耳边低语说着在这本书的规划阶段,“你就不能看到脏水的盆地在楼梯吗?”According to the photographer, the world's most famous editor displayed the same kind of enthusiasm for Ostankino, cooing, "Where else but in Russia would you find a story like that —a nobleman who dedicates his life to this little serf girl?"
Turbeville拍照以后的书时,工作室圣彼得堡,奥斯坦金诺又提到了,这一次由俄罗斯朋友,作为一个地方,她必须训练她的镜头。伴随着安德烈•德米特里耶,那个人是谁你叫在俄罗斯这些天如果你有一个需要装修的别墅,她旅行乘火车从圣彼得堡到莫斯科3月,午夜离开,第二天早上八点到达,“就像安娜卡列尼娜”。The cold was three degrees below unbearable, a reading that unfortunately didn't change even once Turbeville was inside the palace walls: As a preservation measure, Ostankino is unheated. Turbeville was persuaded to drink lots of brandy.
有记录的近12个俄罗斯palaces-including凯瑟琳大帝,斯特罗加诺夫副州长,Yusupov-she立即承认奥斯坦金诺的独特性。
“这是比很多其他的个人,”她说,“这是为数不多的没有overrestored和太亮完成。我一直好奇大胆的俄罗斯的颜色但我很失望,一切saw-until奥斯坦金诺。想象与石榴石、绿松石钴、翡翠、玫瑰。调色板是如此丰富,如此意想不到的组合。”
