罗伯特·m·斯特恩是一个出色的建筑师。他选择一个风格和令人信服的想法适合一个给定的项目,然后进行改造。最近完成的10000平方英尺的房子在不列颠哥伦比亚,加拿大、设计与格兰特Marani,合作伙伴在斯特恩的公司,是一个优雅的解释瓦风格,增强了细节层次,回忆最好的工艺美术运动的工作。在解释他的方法设计,斯特恩的风格再现和风格改造之间的区别。“是的,我是折衷的,”斯特恩说,“但这并不意味着只是随意翻阅历史的页面整体的构图和细节和复制。我现在一直在做这些瓦房子了30年,所以我不总是回头看看照片了。我曾经教,讲一门外语,你必须认为外国——的关键。所以我认为瓦;我说瓦。”But Stern does not copy Shingle; he creates a new life for it.
斯特恩和Marani的客户,有四个上大学的孩子,在半岛的一角发现了一个网站的许多岛屿沿岸的不列颠哥伦比亚省只能通过水上飞机、渡轮和私人船只。虽然岛上没有乡土建筑,它的许多房屋,该地区的其他国家一样,是用木头建造的。118高手论坛鉴于这一事实,瓦风格的变化似乎是合适的。在岸上,众议院命令two-and-a-half-acre站点的全景水和东部邻近岛屿,西部和南部。在树木繁茂的山坡下面是茶馆,水疗中心和一个船库,每个客户都来应对不同的视图。瓦风格统一。
两层的架构师主要结构尽可能紧凑为了保持自然状态的网站。古典的计划,u型的房子周围包裹一入口庭院沿一边凉廊。斯特恩特别骄傲的入口处序列他和Marani精心策划的。“当你开车去岛上的这一点,”他指出,“这条路穿过中间的半岛,你看不到水。植被厚,和其它人的房子从路上的筛选。一旦停在房子里,你穿过长廊,打开前门入口大厅和你亲爱的,我回来了”时刻与你第一次看到的水。”
当住宅客户选择斯特恩和他的合作伙伴作为他们的建筑师,他们预计,除了一个巧妙的和非常可行的计划,一定优雅的空间和form-interesting细节,造型优美天花板,合适的材料和工艺的最高水平。“所有这一切都需要时间,”斯特恩说。“客户需要耐心,和这些客户,幸运的是,有耐心。”Stern notes that, in their time, such architects as H. H. Richardson and McKim, Mead White could do a house or a bigger building with fewer sheets of drawings than construction requires today because they were able to turn their sketches over to extremely reliable contractors and craftsmen. For this house, Stern and Marani could be said to have been as lucky as Richardson and his peers, although, of course, they did a lot more than sketch. For example, the complex geometric wood ceilings of the breakfast porch, the library and the spa required outstanding artisan skills, as did other aspects of the design, including the stonework throughout. "We found a contractor whose quality of work was unbelievably good," Marani reports, "and he was able to assemble for us workmen whose skills were amazing. They loved the truly innovative moments when they found themselves able to solve the most difficult fabrication problems."
建筑师约翰·基尔默创立自己的公司经过10年在斯特恩的办公室,室内设计。“我的灵感来自于环境中,”他说。“颜色来自岩石,植物,光反射的方式从水中三面以填补一整天,天花板上闪烁。”The furniture and art, not to mention their placement, has a certain formal dignity that would be surprising in a more typical upscale house in the area but seems appropriate here, given the classical proportions of the rooms and their ordered axial relationships.
在南方,入口大厅和餐厅旁边慷慨的生活区域,有巨石烟囱乳房的中心的北墙和窗户湾大小相等宽度方向相反。这些空间,没有内墙,流在一起。客户已经开始买太平洋西北艺术的房子建成之前,当它成为了集合时间,地点,他们决定一个大幅戴安娜院长应该集中在餐厅的墙上,给它骄傲的地方长的房间的焦点。“那幅画,聪明但不花哨的颜色,占主导地位的观点,”基尔默指出,“它为整个一楼设置面板的翅膀。”
保健斯特恩的另一个迹象,Marani和基尔默给创建这所房子是,它有九个壁炉。(茶馆有另一个温泉浴场。)基尔默解释说:“该网站是美丽的,但它是暴露。在夏天那里很冷,尤其是在早晨和晚上,还有天雾蒙蒙的。没有什么像火的寒冷空气,照亮一天。”The architects designed each of these fireplaces to enhance the room it warms, and no two are alike. This took time and effort, but for Stern and his colleagues, such attention to detail is simply part of the job.
